What the sizes mean, and how to avoid buying more machine than you need · Last reviewed 23 October 2026
A0 measures 841 by 1189mm, and a printer that can produce it needs a 36 inch roll. If almost everything you print is A1 or smaller, a 24 inch machine will do, and it will cost less and take up far less room. Getting that one decision right matters more than any specification on the brochure.
Wide format is the part of the print estate people buy by guesswork, usually because it is bought once every seven or eight years and nobody remembers the last time. Here is how to size it properly.
The A series is defined by ISO 216. A0 is one square metre, and every size below it is the previous sheet halved along its long edge. That is why a drawing scales between sizes without distorting, and why a drawing issued at A1 prints correctly at A3 for a meeting.
| Size | Millimetres | Short edge | Minimum roll width |
|---|---|---|---|
| A0 | 841 × 1189 | 841mm | 36 inch (914mm) |
| A1 | 594 × 841 | 594mm | 24 inch (610mm) |
| A2 | 420 × 594 | 420mm | 24 inch (610mm) |
| A3 | 297 × 420 | 297mm | Office MFD handles this |
| A4 | 210 × 297 | 210mm | Office MFD handles this |
The column that decides your purchase is the last one. A roll-fed machine is specified by the width of media it accepts, so a "24 inch" device prints anything up to 610mm across and any length you like. A1 fits comfortably. A0 does not.
This is the question worth being honest about, because the gap between a 24 inch and a 36 inch machine is significant in both purchase cost and floor space.
Count what you issued over the last twelve months rather than what you think you print. In most architectural and engineering practices we audit, the overwhelming majority of output is A1, with occasional A0 for a presentation set or a site plan. If that is your pattern, a 24 inch machine plus sending the handful of A0s to a bureau is usually the cheaper answer over the life of the device.
Go to 36 inch when A0 is routine rather than exceptional, when you print to the full width regularly, or when turnaround matters enough that an outsourced sheet is a problem.
A plotter originally drew with physical pens held on a moving arm, which is why producing a drawing is still called plotting and why CAD software still has a Plot command. Those machines have not been sold in decades.
Everything current is an inkjet printer that takes wide media. The only real distinction is whether the unit prints only, or has a scanner on top for copying and digitising wide originals.
This is where wide format behaves differently from the rest of your fleet, and where budgets go wrong.
An A3 office multifunction is normally billed per click: a page costs what a page costs, whether it carries one line or a full-page photograph. Wide format is not like that. Cost is driven by how much ink lands on the media, plus the media itself.
Two practices printing the same number of A1 sheets can therefore have very different monthly costs. That is precisely why we scope before quoting rather than pricing from a sheet count, and it is the same discipline we apply in a print audit for the office fleet.
Default to pigment for technical work. Pigment particles sit on the surface of the media and resist water, UV and handling, which matters for anything rolled up, carried to site, unrolled in the rain and marked up. Planning submissions and record drawings also benefit from the longer fade resistance.
Dye ink penetrates the media and gives slightly richer, smoother colour, which suits indoor display graphics and presentation work that will not leave the building.
Only if paper drawings genuinely come into the building, or you are sitting on an archive you want digitised.
Plenty of practices now work entirely in PDF and have not scanned an A1 in years. If that is you, a scanner adds purchase cost, footprint and another component to maintain for no return. If you do hold a drawing archive, scanning it is usually a one-off project better handled as a project than by buying a machine, and the output belongs in a system that can index and retrieve it rather than in a folder tree.
Wide format is routinely underestimated on space. A 36 inch machine is typically over a metre and a half wide, needs clearance in front for prints to drop into the catch basket, and may need access behind for sheet media. A floor-standing unit on its own stand is usually easier to accommodate than a benchtop model, because a benchtop still needs a long, strong bench.
It also wants to be somewhere people can reach without walking a wet A0 across an open-plan office.
Wide-format volume is project-driven. It spikes around a submission and goes quiet in between, which makes it harder to size a fixed monthly cost than it is for office print.
As an authorised HP partner we supply the DesignJet range alongside the office fleet, so wide format can sit on the same support arrangement as everything else rather than being the one device nobody owns. If you are weighing up the office side of that too, our guide to owning versus leasing covers the same trade-off for A3 and A4 devices.
Sources: paper dimensions and the halving relationship are defined by ISO 216. Roll widths of 24 and 36 inches are the long-standing industry conventions that correspond to A1 and A0 short edges. Last reviewed 23 October 2026.
A0 is 841 by 1189 millimetres, which is almost exactly one square metre. Every size below it is the previous one folded in half along its long edge, so A1 is 594 by 841, A2 is 420 by 594, A3 is 297 by 420 and A4 is 210 by 297. That halving relationship is why a drawing scales cleanly between sizes without changing proportion, and it is set by the international standard ISO 216.
It depends on the shortest edge of what you print, because a roll-fed machine is defined by its roll width rather than by a sheet size. A0 has a short edge of 841mm, so it needs a 36 inch (914mm) roll. A1's short edge is 594mm, which fits a 24 inch (610mm) machine. If the vast majority of your output is A1 and smaller, a 24 inch device does the job and takes up considerably less floor space.
In practice, nothing. The word plotter dates from machines that drew with physical pens on a moving arm, which is why CAD output is still called plotting. Those have not been sold for decades. Anything you buy now is an inkjet printer that happens to take wide media, so plotter and wide-format printer describe the same device. The only distinction worth making is between a print-only unit and one with a scanner built in.
Ink coverage and media, not a click charge. An A3 office multifunction is usually billed per page regardless of what is on the page, but wide format is dominated by how much ink lands on the paper. A CAD line drawing on bond paper uses very little ink; a full-bleed colour render or a photographic map on coated stock uses a great deal. Two sites printing the same number of A1 sheets can therefore have completely different monthly costs.
Pigment ink for anything that leaves the office or needs to last. Pigment sits on the surface of the media and resists water, light and handling far better, which matters for site drawings, planning submissions and anything that will be rolled, carried and unrolled repeatedly. Dye ink produces slightly richer colour for indoor display work. Most technical environments should default to pigment.
Only if you receive drawings on paper or hold an archive you need digitised. Plenty of practices now work entirely from PDFs and never scan anything wide. If you do have legacy drawings, a machine with an integrated scanner saves sending them out, but it adds cost and footprint, so it is worth counting how many A1 or A0 originals you actually scan in a year before paying for the capability.
More than people expect, and the width is only part of it. A 36 inch machine is typically over a metre and a half wide, and it needs clearance in front for output to drop into the basket and clearance behind if it takes media from the rear. Floor-standing units on a stand are generally easier to live with than a benchtop model, because a benchtop still needs a bench strong enough and long enough to hold it.
It depends on how predictable your volume is. Wide-format output tends to be project-driven and lumpy, with a busy month around a submission and quiet months either side, which makes a fixed monthly cost harder to size than it is for office print. Leasing spreads the capital and usually bundles support; buying suits a stable, low volume. We scope the actual usage first and then quote, rather than quoting from a list price.
Tell us what you issued over the last year and we will tell you whether you need 36 inch, 24 inch, or neither. As an authorised HP partner we supply the DesignJet range, and we will say plainly if outsourcing the occasional A0 works out cheaper.
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